Recording identifier: rw2147484674 Label: Forlane CI Catalogue number: FC16571 Conductors: Producer: Engineer: Jean-Francois Estager and James Giroudon Recording date: Performance timing: 898 Ensemble: GRAME Leader: Recording location:
FC16571
FC16571
Oceane … ou Troisieme passage de la Baleine, Silence Parole et memoire (Silence, World and Memory), Bribes d'Hiver in , (Winter Fragments)
14:58
Recording identifier: rw2147484674 Label: Forlane CI Catalogue number: FC16571 Conductors: Producer: Engineer: Jean-Francois Estager and James Giroudon Recording date: Performance timing: 898 Ensemble: GRAME Leader: Recording location:
14:58
Recording identifier: rw2147484675 Label: Forlane CI Catalogue number: FC16571 Conductors: Producer: Engineer: Recording date: Performance timing: 812 Ensemble: GRAME Leader: Recording location:
FC16571
FC16571
Oceane … ou Troisieme passage de la Baleine, Silence Parole et memoire (Silence, World and Memory), Bribes d'Hiver in , (Winter Fragments)
13:31
Recording identifier: rw2147484675 Label: Forlane CI Catalogue number: FC16571 Conductors: Producer: Engineer: Recording date: Performance timing: 812 Ensemble: GRAME Leader: Recording location:
13:31
Grande plongee douceur des fonds
Grande plongee douceur des fonds
Recording identifier: rw2147483792 Label: Forlane CI Catalogue number: FC16571 Conductors: Producer: Engineer: Recording date: Performance timing: 436 Ensemble: GRAME Leader: Recording location:
FC16571
Grande plongee douceur des fonds
FC16571
Oceane … ou Troisieme passage de la Baleine, Silence Parole et memoire (Silence, World and Memory), Bribes d'Hiver in , (Winter Fragments)
06:25
Recording identifier: rw2147483792 Label: Forlane CI Catalogue number: FC16571 Conductors: Producer: Engineer: Recording date: Performance timing: 436 Ensemble: GRAME Leader: Recording location:
06:25
Laridae
The title refers to the family of seabirds comprising the subfamilies of gulls and terns. The movements and sounds of birds are strongly associated, in my mind, with the musical shapes and intertwining lines of this work.
cwlTemp006
Laridae
cwlTemp006
Ryan Howard
05:49
The title refers to the family of seabirds comprising the subfamilies of gulls and terns. The movements and sounds of birds are strongly associated, in my mind, with the musical shapes and intertwining lines of this work.
05:49
FC16664 Suite pour Violoncelle et bande, Chant d'Aubes, Doubles 3 in , ()
Recording identifier: rw2147485119 Label: Forlane CI Catalogue number: FC16664 Conductors: Eric Sprogis Producer: Christophe Lebreton Engineer: Recording date: Performance timing: 1071 Ensemble: Ensemble Instrumental sous la direction d'Eric Sprogis Leader: Recording location: Auditorium du Conservatoire National de Région de Poitiers et au
FC16664
FC16664
Suite pour Violoncelle et bande, Chant d'Aubes, Doubles 3 in , ()
17:51
Recording identifier: rw2147485119 Label: Forlane CI Catalogue number: FC16664 Conductors: Eric Sprogis Producer: Christophe Lebreton Engineer: Recording date: Performance timing: 1071 Ensemble: Ensemble Instrumental sous la direction d'Eric Sprogis Leader: Recording location: Auditorium du Conservatoire National de Région de Poitiers et au
17:51
Skeiron Region I - Interlude II 1
Skeiron Region I - Interlude II 1
Skeiron consists of five Regions, each defined by its own unique harmonic materials and instrumental combination (most marked in the contrast between C flute and bass flute, as well as between metal and wooden percussion). The electronic Interludes consist of sustained sound continua created from manipulated vocal and air sounds; these, initially, are highly static episodes functioning as links between Regions, their microtonal tuning contrasting starkly with the instruments' equal-tempered harmonies. As the work progresses, the electronic and instrumental music increasingly interpenetrate one another, with microtonal intonation introduced into the flute's music in the work's final Region. The title is the name of the ancient Greek deity of the northwest (southeast-blowing) wind, at once a reference to the prevalence of air and wind sounds in the composition (in both flutes and electronics), as well as an allusion to the associations of atmosphere and spaciousness I feel that the work evokes.
cwlTemp006
Skeiron Region I - Interlude II 1
cwlTemp006
Ryan Howard
18:09
Skeiron consists of five Regions, each defined by its own unique harmonic materials and instrumental combination (most marked in the contrast between C flute and bass flute, as well as between metal and wooden percussion). The electronic Interludes consist of sustained sound continua created from manipulated vocal and air sounds; these, initially, are highly static episodes functioning as links between Regions, their microtonal tuning contrasting starkly with the instruments' equal-tempered harmonies. As the work progresses, the electronic and instrumental music increasingly interpenetrate one another, with microtonal intonation introduced into the flute's music in the work's final Region. The title is the name of the ancient Greek deity of the northwest (southeast-blowing) wind, at once a reference to the prevalence of air and wind sounds in the composition (in both flutes and electronics), as well as an allusion to the associations of atmosphere and spaciousness I feel that the work evokes.
18:09