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Insights. Beethoven and Chopin composing at the piano

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We think of Beethoven as the great architect. We think that during his long years of deafness he composed away from the piano, hearing these great musical structures in his inner ear. But no. When his hearing was only mildly impaired, he would use ear trumpets to compose at the piano. He would also use a wooden stick between his teeth to feel the vibrations when he played. The higher frequencies are present in his later works again. By this time he was completely deaf and he was only able to imagine the sound of the composition. But he still made sure that he composed at the piano. He was known as a virtuoso improviser when he moved to Vienna in 1792, and his hands had a wonderful feeling for the geography of the keyboard. He needed the piano to compose. He did not just compose in his head. Similarly, Chopin always needed a piano physically in the room to compose. When he went to stay with George Sand at her country house, frequently the piano had not arrived. He was grow impatient waiting for his piano, made by Pleyel, to arrive. He had manuscript paper, but he did not compose until the piano arrived. It strikes me as a point of fascination that these towering figures needed to get their hands on a keyboard, and hear the inflections of actual piano sound in order to compose. They did not just compose in their minds. It was a physical imperative to have a piano in the room.
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  • Piano Sonata No. 2

    1. Andante

    CWLMP000022 Ani Palavandishvili: Sonatas & Ballade

      1. Andante

      Recording identifier: Label: Catalogue number: Conductors: Producer: Engineer: Recording date: 2020-10-14 Performance timing: Ensemble: Leader: Recording location:

      CWLMP000022

      1. Andante

      CWLMP000022

        Ani Palavandishvili: Sonatas & Ballade

        07:56

        Recording identifier: Label: Catalogue number: Conductors: Producer: Engineer: Recording date: 2020-10-14 Performance timing: Ensemble: Leader: Recording location:

        07:56

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      • Mazurka

        Mazurka in B flat major

        FC16785 12 Etudes, Op. 10, 4 Mazurkas, Op. 17, Ballade No. 1 in G minor, Op. 23

          Mazurka in B flat major

          Recording identifier: rw2147484902 Label: Forlane CI Catalogue number: FC16785 Conductors: Producer: Ivan Pastor Engineer: Jean-Marc Laisne Recording date: 1998-01-01 Performance timing: 70 Ensemble: Leader: Recording location: Musica Théatre. Chaux-de-Fonds (Suisse)

          FC16785

          Mazurka in B flat major

          FC16785

            12 Etudes, Op. 10, 4 Mazurkas, Op. 17, Ballade No. 1 in G minor, Op. 23

            01:09

            Recording identifier: rw2147484902 Label: Forlane CI Catalogue number: FC16785 Conductors: Producer: Ivan Pastor Engineer: Jean-Marc Laisne Recording date: 1998-01-01 Performance timing: 70 Ensemble: Leader: Recording location: Musica Théatre. Chaux-de-Fonds (Suisse)

            01:09

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          • Nocturne

            FI064 6 Melodies for Horn and Piano in , (), 3 Romanzen, Op. 94, Chant du ménestrel, Op. 71

              Recording identifier: rw2147484467 Label: Fioretti Catalogue number: FI064 Conductors: Producer: Ivan Pastor Engineer: Jean-Marc Laisné Recording date: 1997-01-01 Performance timing: 166 Ensemble: Leader: Recording location: Centre Culturel de la ville Boulogne Billancourt Auditorium

              FI064

              FI064

                6 Melodies for Horn and Piano in , (), 3 Romanzen, Op. 94, Chant du ménestrel, Op. 71

                02:45

                Recording identifier: rw2147484467 Label: Fioretti Catalogue number: FI064 Conductors: Producer: Ivan Pastor Engineer: Jean-Marc Laisné Recording date: 1997-01-01 Performance timing: 166 Ensemble: Leader: Recording location: Centre Culturel de la ville Boulogne Billancourt Auditorium

                02:45

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              • Piano Sonata No. 27

                Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck

                FC16678 Piano Sonata No. 25 in G, Op. 79 (Sonatina alla tedesca), Piano Sonata No. 26 in E flat, Op. 81a (Les Adieux / The Farewell), Piano Sonata No. 24 in F sharp, Op. 78 (à Thérèse / To Teresa)

                  Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck

                  Recording identifier: rw2147484375 Label: Forlane CI Catalogue number: FC16678 Conductors: Producer: Ivan Pastor Engineer: Jean-Marc Laisne Recording date: 1992-01-01 Performance timing: 409 Ensemble: Leader: Recording location: Auditorium du Centre Culturel de la Ville de Boulogne Billancour

                  FC16678

                  Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck

                  FC16678

                    Piano Sonata No. 25 in G, Op. 79 (Sonatina alla tedesca), Piano Sonata No. 26 in E flat, Op. 81a (Les Adieux / The Farewell), Piano Sonata No. 24 in F sharp, Op. 78 (à Thérèse / To Teresa)

                    05:44

                    Recording identifier: rw2147484375 Label: Forlane CI Catalogue number: FC16678 Conductors: Producer: Ivan Pastor Engineer: Jean-Marc Laisne Recording date: 1992-01-01 Performance timing: 409 Ensemble: Leader: Recording location: Auditorium du Centre Culturel de la Ville de Boulogne Billancour

                    1

                    05:44

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                  • 4 Mazurkas

                    No. 1 in G sharp minor

                    FC16793 24 Preludes, Op. 28, 4 Mazurkas, Op. 33, 3 Waltzes, Op. 34

                      No. 1 in G sharp minor

                      Recording identifier: rw2147483895 Label: Forlane CI Catalogue number: FC16793 Conductors: Producer: Ivan Pastor Engineer: Jean-Marc Laisne Recording date: 1999-01-01 Performance timing: 300 Ensemble: Leader: Recording location: Musica Théatre. Chaux-de-Fonds (Suisse)

                      FC16793

                      No. 1 in G sharp minor

                      FC16793

                        24 Preludes, Op. 28, 4 Mazurkas, Op. 33, 3 Waltzes, Op. 34

                        01:36

                        Recording identifier: rw2147483895 Label: Forlane CI Catalogue number: FC16793 Conductors: Producer: Ivan Pastor Engineer: Jean-Marc Laisne Recording date: 1999-01-01 Performance timing: 300 Ensemble: Leader: Recording location: Musica Théatre. Chaux-de-Fonds (Suisse)

                        3

                        01:36

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                      • Fantaisie

                        FC16678 Piano Sonata No. 25 in G, Op. 79 (Sonatina alla tedesca), Piano Sonata No. 26 in E flat, Op. 81a (Les Adieux / The Farewell), Piano Sonata No. 24 in F sharp, Op. 78 (à Thérèse / To Teresa)

                          Recording identifier: rw2147485146 Label: Forlane CI Catalogue number: FC16678 Conductors: Producer: Ivan Pastor Engineer: Jean-Marc Laisne Recording date: 1992-01-01 Performance timing: 605 Ensemble: Leader: Recording location: Auditorium du Centre Culturel de la Ville de Boulogne Billancour

                          FC16678

                          FC16678

                            Piano Sonata No. 25 in G, Op. 79 (Sonatina alla tedesca), Piano Sonata No. 26 in E flat, Op. 81a (Les Adieux / The Farewell), Piano Sonata No. 24 in F sharp, Op. 78 (à Thérèse / To Teresa)

                            10:05

                            Recording identifier: rw2147485146 Label: Forlane CI Catalogue number: FC16678 Conductors: Producer: Ivan Pastor Engineer: Jean-Marc Laisne Recording date: 1992-01-01 Performance timing: 605 Ensemble: Leader: Recording location: Auditorium du Centre Culturel de la Ville de Boulogne Billancour

                            10:05

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