Dream and Regret
cwlTemp020 A Poetic Masterpiece, Created Through the Ages of Love and Regret
Recording identifier: Label: Catalogue number: Conductors: Lin Tao Producer: Orchestrated by LI Shangqian Engineer: Recording date: 2021-02-09 Performance timing: Ensemble: Leader: Recording location:
cwlTemp020
Dream and Regret
cwlTemp020
A Poetic Masterpiece, Created Through the Ages of Love and Regret
16:38
Recording identifier: Label: Catalogue number: Conductors: Lin Tao Producer: Orchestrated by LI Shangqian Engineer: Recording date: 2021-02-09 Performance timing: Ensemble: Leader: Recording location:
16:38
Adam Repa - Scarlatti, K1
Recording identifier: Label: MP20191115 Catalogue number: Conductors: Producer: Engineer: Recording date: 2019-11-15 Performance timing: Ensemble: Leader: Recording location:
cwlTemp008
Adam Repa - Scarlatti, K1
cwlTemp008
Adam Repa, Pianist
02:22
Recording identifier: Label: MP20191115 Catalogue number: Conductors: Producer: Engineer: Recording date: 2019-11-15 Performance timing: Ensemble: Leader: Recording location:
02:22
1. Andante
CWLMP000022 Ani Palavandishvili: Sonatas & Ballade
Recording identifier: Label: Catalogue number: Conductors: Producer: Engineer: Recording date: 2020-10-14 Performance timing: Ensemble: Leader: Recording location:
CWLMP000022
1. Andante
CWLMP000022
Ani Palavandishvili: Sonatas & Ballade
07:56
Recording identifier: Label: Catalogue number: Conductors: Producer: Engineer: Recording date: 2020-10-14 Performance timing: Ensemble: Leader: Recording location:
07:56
Legend of Marquis Yi of Zeng
cwlTemp019 A Live Show About Erhu Concert
The work is full of Hubei music elements and styles, using instrumental language unique to the Erhu, vividly describes the warring states Marquis Yi of Zeng and his life
cwlTemp019
Legend of Marquis Yi of Zeng
cwlTemp019
A Live Show About Erhu Concert
07:38
The work is full of Hubei music elements and styles, using instrumental language unique to the Erhu, vividly describes the warring states Marquis Yi of Zeng and his life
07:38
Sourena Sefati-Khamooshaneh
cwlTemp011 Arghavan, by Sourena Sefati and Mojgan Shajarian
Composer: Sourena Sefati Singer: Mojgan Shajarian Khamooshaneh is a Persian word for “Mutely”. The song is composed on a poem of Shafiee Kadkani, one of the most famous contemporary poets in Iran. The poem is about the history of Iran, the country that has been repeatedly occupied by its enemies. Instruments used in the song are including: Tar, Bam Tar, Santour, Kamancheh, Tombak, and Frame Drums. The song was composed in Esfahan scale (Bayate Esfahan).
cwlTemp011
Sourena Sefati-Khamooshaneh
cwlTemp011
Arghavan, by Sourena Sefati and Mojgan Shajarian
07:23
Composer: Sourena Sefati Singer: Mojgan Shajarian Khamooshaneh is a Persian word for “Mutely”. The song is composed on a poem of Shafiee Kadkani, one of the most famous contemporary poets in Iran. The poem is about the history of Iran, the country that has been repeatedly occupied by its enemies. Instruments used in the song are including: Tar, Bam Tar, Santour, Kamancheh, Tombak, and Frame Drums. The song was composed in Esfahan scale (Bayate Esfahan).
07:23
Canto de Embalar
cwlTemp014 Carlos Paredes for Solo Violin
Recording identifier: Label: Catalogue number: Conductors: Producer: Engineer: Recording date: 2020-03-20 Performance timing: Ensemble: Leader: Recording location: Lisboa, Portugal
cwlTemp014
Canto de Embalar
cwlTemp014
Carlos Paredes for Solo Violin
03:23
Recording identifier: Label: Catalogue number: Conductors: Producer: Engineer: Recording date: 2020-03-20 Performance timing: Ensemble: Leader: Recording location: Lisboa, Portugal
03:23
Three Variations on Plum Blossom
cwlTemp017 Contemplation on the Seven-string
Three Variations on Plum Blossom
Through depicting precious characteristics regarding plum blossom’s pure color, fragrance and cold tolerance, the music borrows objects to express the feelings to praise people with noble morals.
cwlTemp017
Three Variations on Plum Blossom
cwlTemp017
Contemplation on the Seven-string
09:32
Through depicting precious characteristics regarding plum blossom’s pure color, fragrance and cold tolerance, the music borrows objects to express the feelings to praise people with noble morals.
09:32
Danza de la Moza Donosa, Op. 2 no. 2
MP00023 Piano Poetry with a Georgian Touch
Danza de la Moza Donosa, Op. 2 no. 2
Recording identifier: Label: Catalogue number: Conductors: Producer: Engineer: Recording date: 2020-11-08 Performance timing: Ensemble: Leader: Recording location:
MP00023
Danza de la Moza Donosa, Op. 2 no. 2
MP00023
Piano Poetry with a Georgian Touch
02:57
Recording identifier: Label: Catalogue number: Conductors: Producer: Engineer: Recording date: 2020-11-08 Performance timing: Ensemble: Leader: Recording location:
02:57
Skeiron Region I - Interlude II 1
Skeiron Region I - Interlude II 1
Skeiron consists of five Regions, each defined by its own unique harmonic materials and instrumental combination (most marked in the contrast between C flute and bass flute, as well as between metal and wooden percussion). The electronic Interludes consist of sustained sound continua created from manipulated vocal and air sounds; these, initially, are highly static episodes functioning as links between Regions, their microtonal tuning contrasting starkly with the instruments' equal-tempered harmonies. As the work progresses, the electronic and instrumental music increasingly interpenetrate one another, with microtonal intonation introduced into the flute's music in the work's final Region. The title is the name of the ancient Greek deity of the northwest (southeast-blowing) wind, at once a reference to the prevalence of air and wind sounds in the composition (in both flutes and electronics), as well as an allusion to the associations of atmosphere and spaciousness I feel that the work evokes.
cwlTemp006
Skeiron Region I - Interlude II 1
cwlTemp006
Ryan Howard
18:09
Skeiron consists of five Regions, each defined by its own unique harmonic materials and instrumental combination (most marked in the contrast between C flute and bass flute, as well as between metal and wooden percussion). The electronic Interludes consist of sustained sound continua created from manipulated vocal and air sounds; these, initially, are highly static episodes functioning as links between Regions, their microtonal tuning contrasting starkly with the instruments' equal-tempered harmonies. As the work progresses, the electronic and instrumental music increasingly interpenetrate one another, with microtonal intonation introduced into the flute's music in the work's final Region. The title is the name of the ancient Greek deity of the northwest (southeast-blowing) wind, at once a reference to the prevalence of air and wind sounds in the composition (in both flutes and electronics), as well as an allusion to the associations of atmosphere and spaciousness I feel that the work evokes.
18:09
Predicaments
CWLMP000020 Joel Lundberg: Music From a Room
Recording identifier: Label: Klang-Skivan Catalogue number: Conductors: Producer: Joel Lundberg Engineer: Johannes Lundberg Recording date: 2018-12-22 Performance timing: Ensemble: Leader: Recording location: Studio Epidemin, Gothenburg, Sweden
CWLMP000020
Predicaments
CWLMP000020
Joel Lundberg: Music From a Room
03:41
Recording identifier: Label: Klang-Skivan Catalogue number: Conductors: Producer: Joel Lundberg Engineer: Johannes Lundberg Recording date: 2018-12-22 Performance timing: Ensemble: Leader: Recording location: Studio Epidemin, Gothenburg, Sweden
03:41
Allegro
Recording identifier: rw2147484172 Label: Forlane CI Catalogue number: FC16669 Conductors: Producer: Ivan Pastor Engineer: Jean-Marc Laisne Recording date: 1992-01-01 Performance timing: 245 Ensemble: Leader: Recording location: At the Aubertin Organ of the Church of Saint-Louis de Vichy
FC16669
Allegro
FC16669
Organ Concerto in D minor, BWV 596 / RV 565, Organ Concerto in A minor, BWV 593, Organ Concerto in C, BWV 594
04:06
Recording identifier: rw2147484172 Label: Forlane CI Catalogue number: FC16669 Conductors: Producer: Ivan Pastor Engineer: Jean-Marc Laisne Recording date: 1992-01-01 Performance timing: 245 Ensemble: Leader: Recording location: At the Aubertin Organ of the Church of Saint-Louis de Vichy
04:06